Monday, October 10, 2011

Burning Poster SNEAK PEEK!



PREVIEWS BEGIN OCTOBER 26TH

BURNING
By Thomas Bradshaw
Directed by Scott Elliott

With
Jeff Biehl, Reyna de Courcy, Barrett Doss, Hunter Foster, Andrew Garman,
Drew Hildebrand, Evan Johnson, Danny Mastrogiorgio, Andrew Polk, Larisa Polonsky, Adam Trese, Vladimir Versailles, and Stephen Tyrone Williams

Burning is the Off-Broadway debut of downtown phenomenon and Guggenheim Award-winner Thomas Bradshaw. In intersecting stories spanning two eras, a contemporary black painter who hides his race goes to Germany for a show, only to find that the gallery owner has misinterpreted his work. And in the '80s a homeless teenager comes to New York to become an actor and is taken in by two gay men, who are themselves producing a new play. Titillating, taboo-testing and psychosexually insightful, this epic tale of ambition and self-invention bursts open the conceits of the worlds of art and theatre.

Performance Schedule:
Monday-Wednesday at 7pm, Thursday-Friday at 8pm, and
Saturday at 2pm & 8pm

Wednesday, August 10, 2011

EXCLUSIVE LOOK

                         Behind the scenes
                                     of
               AN EARLY HISTORY OF FIRE
                                   with
                              David Rabe


Dear Friends,

I've set plays at various points in recent history, Vietnam , Hollywood in the '80s, but for a long while I've wanted to go back to the time in the Midwest where I was a young man. This was the moment when the 50's began to break apart under pressure from the passions the preceding decades held in place. People were about to step into what became known as the Sixties without knowing what that time would be. My friendships then had begun in childhood, were primary into my twenties, and all male. With the introduction of sexual desire the need to reach out was a jolt, a welcome though puzzling, irresistible jolt. And of course we didn't know all that much about any of it. But we did know that a moment of freedom could bring pregnancy and divert our lives into dead ends. The sexes were kept apart as long as possible. Yearning and ignorance peered through desire distorted by an exotic, exaggerated romanticism or narrowed by wary resentment.

Meanwhile, the adults, who had lived through their own disillusionment and discovery, pretended they didn't know what they knew. Some because they didn't dare admit it, others because the coming change seemed too late for them.

I centered the play around the friendship of three young men, the father of one, a girl they thought they knew well and another girl unlike any they'd ever met, with one of the young men feeling the need to pull away, not to merely grow older, but to change. At some point I saw the possibility that I might be able to throw light not only on that period, but backward and forward in time, reaching faintly even into the present. Having grown older, I could recall the way we seemed to not merely discover the world but bring it into existence. I knew my parents had felt similarly, and I'd witnessed this discovery in my children as they reached their twenties. I hoped to evoke the way the fire of time both ignites and incinerates our lives. Generations arrive with hunger to do, to take, to live, and then they are shoved aside sooner or later by what follows.

The New Group, home to Scott Elliott's excellent revival of my play, Hurlyburly, is an ideal environment for An Early History of Fire. Reteaming with Scott, this time as producer, working with Jo Bonney, a director I strongly admire, I feel the play is in the hands of people who will bring out the best in every facet of production. With Jo and Scott on hand, I'm very glad to be back at The New Group, back in the theater.

David

Spring 2012
World Premiere
AN EARLY HISTORY OF FIRE
By David Rabe

Directed by Jo Bonney

From one of the most influential playwrights of our time, a world premiere set at the tipping point of the early 1960s. In a Midwestern town, Danny's world is defined by friendship and loyalty. But the bigger world is encroaching in the form of Karen, back from college in the east, alluring and unsettling because of what she now knows. Still, Danny can't escape the grip of his immigrant father, who is mourning a vanished world of lost prestige and clinging to his only son. Awhirl in longing and confusion, An Early History of Fire marks David Rabe's return to The New Group, following our acclaimed revival of Hurlyburly.


 Fall 2011

World Premiere
BURNING
By Thomas Bradshaw

Directed by Scott Elliott


Winter 2012

World Premiere
RUSSIAN TRANSPORT
By Erika Sheffer

Directed by Scott Elliott

To Subscribe,
Call
The New Group Subscription Telecharge Hotline
212.560.2183








Monday, August 1, 2011

EXCLUSIVE LOOK

                          Behind the scenes 
                                      of
              BURNING with Thomas Bradshaw



Dear Friends,

For years, I have thought that The New Group is the most exciting and daring theater in New York . Their revival of Hurlyburly in 2005 made me realize that raw, uncompromising material can be produced at a major theater, and be produced well. Shows like that and Avenue Q inspired me to be steadfast in examining subjects that aren't being explored elsewhere in the theater.

Too many plays fail to inspire any response in audiences. Many plays simply regurgitate whatever it is that a particular audience wants to hear, and so fail to move any societal debate beyond where it already is. If I have a goal with my writing, it’s to challenge social norms, and to provoke audiences to question their deep-seeded beliefs about the world.

Theater is not and should not be viewed as a simple, self-congratulatory form of entertainment. It can slap us awake with its audacity and rivet us with its electricity. A play can explode in our minds so that all else is wiped clean, and what is left is the experience. The debates on the sidewalk outside are not about coffee or tea; questions are raised, taboo discussions are being had. This happens because people are presented with art that shakes their foundations.

If theater is to be a forum wherein social and political forces collide, then risk-taking needs to be supported – and The New Group is the perfect place for this. The New Group has been providing support for the most unique and innovative artists for years, and I already can feel the reason: they have offered such rich guidance in helping me to bring Burning to completion. I look forward to continuing my collaboration with them.

Thomas



Fall 2011
World Premiere
BURNING
By
Thomas Bradshaw

Directed by Scott Elliott
Burning is the Off-Broadway debut of downtown phenomenon and Guggenheim Award-winner Thomas Bradshaw. In intersecting stories spanning two eras, a contemporary Black painter who hides his race goes to Germany for a show, only to find that the gallery owner has misinterpreted his work. And in the '80s a homeless teenager comes to New York to become an actor and is taken in by two gay men, who are themselves producing a new play. Titillating, taboo-testing and psychosexually insightful, this epic tale of ambition and self-invention bursts open the conceits of the worlds of art and theatre.


Winter 2012
World Premiere

RUSSIAN TRANSPORT
By
Erika Sheffer

Directed by Scott Elliott


Spring 2012
World Premiere

AN EARLY HISTORY OF FIRE
By
David Rabe

Directed by Jo Bonney





To Subscribe, Call
The New Group Subscription Telecharge Hotline
212.560.2183

EXCLUSIVE LOOK

                          Behind the scenes
                                        of
     RUSSIAN TRANSPORT with Erika Sheffer



 Dear Friends,

My parents and brother emigrated to the United States from the former Soviet Union in 1975. I was born five years later and shortly after that, we settled in Sheepshead Bay , Brooklyn , which is where I spent most of my life. In the mid-eighties, the neighborhood was mostly Irish and Italian catholic. It wasn’t until the fall of communism in 1990, that that we were suddenly joined by thousands of immigrants from the former Soviet republics, including much of my father’s family.

Though my parents weren't theatre goers, I was lucky enough to grow up in Brooklyn (even if it was in the remote wilds), so I began going to shows as early as junior high school . Eventually, I earned my degree in acting from Syracuse University , and worked professionally for a several years, mostly doing classical theatre. I started writing plays four years ago and Russian Transport marks my debut. While I began working on it as a way to explore the struggles my family faced in coming to a new country, I was also fascinated by what living in under a brutal dictatorship does to one’s
sense of morality. I think that compassion binds us, and that we have a responsibility to be kind to one another and particularly to those of us in great need. I’ve met many people, am related to many people, who don’t feel that way at all. Now let me clarify, I’m related to concentration camp survivors, people who lived through Stalin, spent time in Siberian prisons. These are people who were in most in need of compassion in their lives and still refuse to recognize that need in others. This mystery is how the play began.

About two years ago a friend and former intern at The New Group, asked if she could give my play to Associate Artistic Director, Ian Morgan . We set up a reading and began to work with one another on the rewrites. Shortly thereafter, I met Artistic Director Scott Elliott and it became clear that The New Group was just as invested in telling this story and figuring out the mystery, as I was. My collaboration with them has been the most challenging and fulfilling of my career. Scott’s insight, his care with my work, and his expectation that we plumb its depth, leave me in a constant state of terror and elation, which is perfect because, that’s the only way I'm ever able to write anything worthwhile. Together, I think we've discovered a lot of truth about the flawed and funny people of who make up this world, and I'm incredibly excited to share them with you all.
Erika


Winter 2012
World Premiere

RUSSIAN TRANSPORT
By Erika ShefferDirected by Scott Elliott

Set in the Russian-Jewish enclave of Sheepshead Bay, Brooklyn, Russian Transport is a deeply personal, emotionally charged tale of an immigrant couple, their two assimilated teenagers and the fierce and fiery upheaval they experience when sexy, mysterious Uncle Boris from the old country comes to stay with them for his shot at the American dream. Part family drama, part heart-pounding thriller, this stunning debut from Erika Sheffer beautifully captures the complex and conflicting layers of striving, joy, pain and terror of one very particular immigrant experience.

Fall 2011
World Premiere

BURNING
By Thomas BradshawDirected by Scott Elliott
Spring 2012
World Premiere
AN EARLY HISTORY OF FIRE
By David Rabe

Directed by Jo Bonney

To Subscribe, Call
The New Group Subscription Telecharge Hotline
212.560.2183

Tuesday, July 12, 2011

Take a peek at our NEW 2011-2012 ONLINE Brochure!

2011-2012 Season
THREE WORLD PREMIERES ONE POWERFUL SEASON

Thomas Bradshaw, Erika Sheffer, and David Rabe

Click Here to check out our
New 2011-12 Season Online Brochure!

 BUY your subscription by July 31st for ONLY $117*!
“MAKE IT A PARTY” – 4 subscriptions for only $361*!
"4-ticket FLEX" - 4 tickets to be used any way you wish for only $172*!


Subscribers receive invitations to readings and special events, such as our Season Kick-Off Party and complimentary admission to the highly-celebrated Dark Nights at The New Group, a series of cultural conversations and readings designed to create a dialogue between our artists and our audience.


 Call The New Group Subscription Telecharge Hotline
212.560.2183

 

CLICK HERE to make additional tax-deductible Contributions
We need your help to make the magic happen!

Telecharge Fee ($10 per subscription)
BOOK NOW! Prices will go up after July 31st!

TO SUBSCRIBE, CALL 212.560.2183
*$10 Subscription Telecharge processing fee. Prices will go up after July 31st.



Tuesday, June 21, 2011

Three World Premieres, One Powerful Season

THE NEW GROUP'S 2011-2012 Season

2011/12 Playwrights - Thomas Bradshaw, Erika Sheffer, David Rabe
World Premiere
RUSSIAN TRANSPORT

By Erika Sheffer
Directed by Scott Elliott


World Premiere

BURNING

By Thomas Bradshaw
Directed by Scott Elliott


World Premiere

AN EARLY HISTORY OF FIRE

By David Rabe
Directed by Jo Bonney                              
                                     
Call The New Group
Subscription Telecharge Hotline
212.560.2183
 
Subscribers receive: invitations to readings and special events, such as our Season Kick-Off Party
and complimentary admission to the highly-celebrated Dark Nights at The New Group
,
a series of cultural conversations designed to create a dialogue between our artists and our audience and
guaranteed tickets to all three of our productions for the season.


Subscription Prices:


Early Bird Subscription ( $117* )

1 ticket to each of our 3 productions
Early Bird “Make it a Party!” ( $361* )
4 subscriptions for the price of 3!
4-Ticket Flex Subscription ( $172* )
4 tickets to be used any way you wish.

TO SUBSCRIBE, CALL 212.560.2183

*Telecharge Fee ($10 per subscription) BOOK NOW! Prices will go up after July 31st!


                                               2011/2012 Season

RUSSIAN TRANSPORT
Set in the Russian-Jewish enclave of Sheepshead Bay, Brooklyn, Russian Transport is a deeply personal, emotionally charged tale of an immigrant couple, their two assimilated teenagers and the fierce and fiery upheaval they experience when sexy, mysterious Uncle Boris from the old country comes to stay with them for his shot at the American dream. Part family drama, part heart-pounding thriller, this stunning debut from Erika Sheffer beautifully captures the complex and conflicting layers of striving, joy, pain and terror of one very particular immigrant experience.

BURNING
Burning is the Off-Broadway debut of downtown phenomenon and Guggenheim Award-winner Thomas Bradshaw. In intersecting stories spanning two eras, a contemporary Black painter who hides his race goes to Germany for a show, only to find that the gallery owner has misinterpreted his work. And in the '80s a homeless teenager comes to New York to become an actor and is taken in by two gay men, who are themselves producing a new play. Titillating, taboo-testing and psychosexually insightful, this epic tale of ambition and self-invention bursts open the conceits of the worlds of art and theatre.

AN EARLY HISTORY OF FIRE
From one of the most influential playwrights of our time, a world premiere set at the tipping point of the early 1960s. In a Midwestern town, Danny's world is defined by friendship and loyalty. But the bigger world is encroaching in the form of Karen, back from college in the east, alluring and unsettling because of what she now knows. Still, Danny can't escape the grip of his immigrant father, who is mourning a vanished world of lost prestige and clinging to his only son. A whirl in longing and confusion, An Early History of Fire marks David Rabe’s return to The New Group, following our acclaimed revival of Hurlyburly.

TO SUBSCRIBE, CALL 212.560.2183


*All subscriptions subject to a $10 Telecharge fee. All dates, artists and venues subject to change. Acknowledgement of your order will be sent by mail. Prices will go up after July 31st. All sales final. No exchanges or refunds..

Tuesday, June 7, 2011

WARNING! Tiger spotted at One Arm


Robin Williams Escapes From Baghdad Zoo to Check Out One Arm Off-Broadway
Photo by broadway.com

Robin Williams stopped by to support Bengal Tiger Director
Moisés Kaufman and the cast of One Arm!

Monday, May 23, 2011

Now Playing till July 2nd!


with
Noah Bean, KC Comeaux, Claybourne Elder,
Steven Hauck, Todd Lawson, Christopher McCann,
Greg Pierotti, and Larisa Polonsky

Based on Tennessee Williams' unproduced screenplay of his own classic short story, this new adaptation from pioneering theatrical auteur Moisés Kaufman (Bengal Tiger at the Baghdad Zoo, The Laramie Project, I Am My Own Wife, 33 Variations) follows Ollie, a young boxing champ who loses his arm and turns to hustling to survive.


CLICK HERE  to buy tickets

OR call 212.947.8844

OR visit the Theatre Row box office

Performance Schedule:
Mon. to Wed. @ 7pm, Thurs. to Fri. @8pm, Sat. @ 2pm & 8pm

 


The New Group
Theatre Row
410 West 42nd St.
New York, NY

Friday, April 29, 2011

Nominations

Congratulation to The Kid and
Blood From a Stone
on 7 nominations this season!

 





Outstanding New Off-Broadway Play
Blood From a Stone

Outstanding New Off-Broadway Musical
The Kid


Outstanding Musical
The Kid

Outstanding Actor in a Musical
Christopher Sieber, The Kid

Outstanding Featured Actress in a Musical
Jill Eikenberry, The Kid

Outstanding Lyrics
Jack Lechner, The Kid

Outstanding Book of a Musical
Michael Zam, The Kid

Special Award being presented to

The New Group and Artistic Director Scott Elliott
For presenting contemporary new voices, and for uncompromisingly raw and powerful productions.




Friday, April 15, 2011

GALA 2011

Please join The New Group for a tribute to

Recipients of the Michael Mendelson Awards
For outstanding commitment to theater

Monday May 9, 2011 at Capitale

Located at 130 Bowery between Grand and Broome

6:30pm Cocktail Hour
7:30pm Sit-down Dinner and entertainment/ silent and live auctions

For tickets and information call
Cristina Galeano at 212-244-3380 ext 314 or

Join
Wallace Shawn & Fred Wistow
& Friends

Florence & Peter Alkalay, Alesha Brown*, Bobby Cannavale, Paul Dano,
Lisa & Oliver Dow*, Alexis Doyle & Ken Balkonis, Deborah Eisenberg,
Scott Elloitt, Richard Emery, Kathryn Erbe,
Wendy Ettinger & Derek Mclane, Cristina Galeano*,
Paula Gamache & Serge Nivelle*, Manuela & James Goren*,
Stacey Greene, John Greenwood, Andre Gregory,
Josh Hamilton, David Handler, Ryan & Ethan Hawke,
Ruth & Stephen Hendel, Bob Hurwitz, Geraldine Hughes,
Kristen Johnson, Craig Kallman, Zoe Kazan, Marie & Harley Lippman,
Natasha Lyonne, Nancy & Alan Manocherian, Sally McPherson,
Mimi Mendelson*, Shara Mendelson, Abby Merrill*,
Georgia & Dr. David Milich, Michael Nash, Parker Posey, David Rabe,
Koni & Geoff Rich*, Lee Rodgers, Pamela & Robert Rosenberg*,
 Ellen & Paul Roth, Linda & Jay Russ,
Barbara A. Sloan & T. Randolph Harris, Will Tanous,
Peter Tanous, Lili Taylor, Marisa Tomei, Heather & Frank Whaley,
Jared Wien, Amanda Woods & Eric Wasserstrom*,
Kumiko Yoshii, Tony Zunino

* members of the Gala Planning Committee

The New Group Board of Directors

Chairman
Peter Alkalay

President
Robert Rosenberg

Treasurer
John Greenwood

Alexis Doyle, Scott Elloitt, Manuela Goren, Walt Grossman, Ethan Hawke,
Stephen Hendel, Harley Lippmen, Nancy Manocherian,
Derek Mclane, Mimi Mendelson, Shara Mendelson, Abby Merrill,
Dr. David Milch, Serge Nivelle, Geoff Rich, Ellen J. Roth,
Jay Russ, Barbara A. Sloan, Eric Wasserstrom, Kumiko Yoshii

Friday, March 18, 2011

NOW IN PREVIEWS

Marie and Bruce
by Wallace Shawn
directed by Scott Elliott

with
Tina Benko, Russell G. Jones, Cindy Katz,
Devin Ratray, Alok Tewari, Marisa Tomei, Adram Trese,
Frank Whaley, and Alison Wright


Opening April 5th 2011
Limited Engagement to May 7th 2011
Purchase Tickets Here


Check out Gothamist for a new interview with playwright Wallace Shawn.



410 West 42nd St.
New York, NY 10036
www.thenewgroup.org 



UPCOMING EVENTS:

Friday, March 4, 2011

A Letter From Scott Elliott

We’re now only a couple weeks from the first performances of MARIE AND BRUCE, and I wanted to let you know how thrilled I am with how it’s going.   
Marisa Tomei and Frank Whaley are playing the title couple, and if you’ve followed them like I have over the years, you know they’re both whip-smart and incredibly brave actors. It’s been one of those joys as a director to get to see them work on the alternately vicious and searching scenes that they have in this story. You could describe this play as a vision of marriage as an existential black hole; it’s one hell of an emotional ride, and with these two it’s terrifyingly funny, and moving.

And wait till you see the supporting cast. We have fabulous New Group alums Cindy Katz from Mike Leigh’s Two Thousand Years, Alok Tewari and Allison Wright from Ayun Khan-Din’s Rafta, Rafta…, and Adam Trese from Deborah Breevort’s The Women of Lockerbie, alongside the equally amazing Tina Benko, Russell G. Jones, and Devin Ratray making their New Group debuts.  They all appear as people at a dinner party attended by Marie and Bruce – and you’ve never seen a party like this before.

I’m so happy that The New Group has become the home for Wally Shawn’s electrifying and dangerous work. This will be our fourth production of Wally’s plays, and each one has been such an awesome experience.  I hope you’ll come visit with Marie and Bruce.  I promise you won’t be disappointed.  See you there!

Sincerely,

Scott Elliott